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The late great, Bernie Mac. One of the funniest guys to ever do it. If you do well the money will come striveforgreatness berniemac oprah 33 0 21 hours ago.

Milk & Cookies by Bernie Mac on Spotify

Happy Monday yall! But the most important part is doing what you love. Doing something that excites you everyday. If you focus on being the best at what you do the money will come. That's what we need. Bernie Mac is feeling under the weather today. He's not being his sassy self, we've made an appointment to go see Dr. Get The Cameo T Shirt myfavtees. This week? BernieMac is back! Only on Wheeler Street. He only went ball as part as one of the sacrifices he had to make to cross over. Along with ending his marriage, to the only woman who was really down for him from the jump.

Bernie Mac: Milk & Cookies

Even after he cheated on numerous occasions. She still stayed with him and helped to support and build his brand, and we all seen how that went. He has lawsuits pending, and now he's surrounded by people he can't even trust. And guess what, it will only get worst from here Playa. Cause when you are out for selfish gains, stepping on and hurting all those who were there with you along the way up. Nothing good can come from your evil ways.

enter site Only temporary happiness. Remember what has been giving, can always be taken away. Politically correct he was not.

But the late, great Mac's wide-eyed, foul-mouthed charms spoke directly to black audiences — and anybody savvy enough to catch on — in a way that put him head and broad shoulders above his peers. Watch any of Garry Shandling's specials we recommend Alone in Vegas , and you'll see a charming neurotic burrowing into his looks and his failure with women in an attempt to let his audience breathe easy.


On his Late Show debut, his typical self-deprecation came through while considering the end of a date: Before he died in , he had been working on a new act: That we never got to see that last Zen-like set is a tragedy. Clad in bright, flowery mumus and floppy hat, Jackie "Moms" Mabley painted a picture from the moment she stepped onstage — an elderly every-grandmother.

Then she opened her mouth, revealing a set of toothless gums and belting out a one-liner "Ain't nothing an old man can do for me but bring me a message from a young one" … and all bets were off. She recorded 20 plus records; she played both the Apollo and Carnegie Hall. She straddled the divide between the old world of vaudeville and the new, emerging realm of innuendo-laden stand-up, inspiring everyone from LaWanda Page to Whoopi Goldberg. Before she became the sitcom antidote to perky, middle-class moms like Carol Brady, Roseanne Barr broke that image of the chipper, wholesome matriarch over her knee via her blistering stand-up routines.

Watching her debut set on The Tonight Show, you can already see her mining the ground she'd end up colonizing and outright owning: Every blue-collar comedian owes her a debt. The former Texas evangelist found what would be less a simple comedic tool than a soul-baring, supernatural gesture that would define his entire onstage persona: A furious, earsplitting banshee wail. Before opening his mouth like a snake about to swallow an antelope, Kinision could look almost stately in his trenchcoat and his flowing locks spilling out from under a beret.

But as religion, love and marriage had all failed him, the primal scream was inevitable. Though his material pushed into misogynistic territory, he would occasionally acknowledge why he never groused about the evils of men: Fusing stand-up and theater into carefully structured solo ventures, this British comic scrutinizes bits of his biography while contemplating bigger issues the nature of time, memory and individual perception.

Kitson's incredible command of language and craft is apparent whether mulling the death of an aunt or a scathing review of his act, as he swirls in and out of odd tangents. And his rumpled presence remains riveting — from that charming little titter to his ability to play with a crowd's "Pavlovian" responses to a bit. Watch the man's live sets on his website, and you can see how he both laid the groundwork for talented storytellers including Mike Birbiglia and Christopher Titus and lays out any potential competition.


Long before her justifiably celebrated "I have cancer" set at Largo in , Tig Notaro was simply a laconic, soft-spoken Southerner with a genuine love for deadpan absurdity. She might spend five minutes doing nothing more than pushing a stool around a stage; if you were lucky, she'd deliver a lengthy exegesis of a Spanish phrase printed on a hotel's "Do Not Disturb" sign or imagine the thought process behind someone telling her "you have small titties" on the street.

But even after Notaro had her gamechanging moment, she's continued to blend the confessional and her subjectively cracked outlook on things. More recently, after a double mastectomy in , she got onstage and did her act shirtless — once again transforming her misfortune into mirth with a sharp tongue, a strong point-of-view and a genuine sense of fearlessness.

A man who once confessed that his "geekiness is getting in the way of [his] nerdiness," Patton Oswalt has more than a little to do with the triumph of dork culture in the new millennium. His obsessions with comic books, genre films and literature gave nerds a champion in the world of stand-up, helping to elevate obscure, semantic arguments to an art form.

Take his touchstone bit about the KFC famous bowl; people still holler for it at shows just to hear him talk about the "light brown hillock of glop" he would prefer to eat "like a death row prisoner on suicide watch. Genial, self-deprecating and smart as a whip, Garofalo took on the casually incisive vibe of Mort Sahl while excoriating conservative politicians and making snide asides about bits of pop culture — from the "brilliant thespians" of Beverly Hills, to baffling Mentos commercials. Even now, Garofalo puts her sensibility and genuine feeling front and center, rather than create some regimented set that times punchlines as if on a metronome.

Her intellectual chops and timing are peerless; her influence on turning the alt-comedy scene into a bona fide renaissance can't be underestimated. There are comedians who are fascinated with by how far limits can be pushed — and then there's Patrice O'Neal. Political correctness, vows of monogamy and everyday social niceties were roasted on a spit when he took the stage; faced with a fearful but sensitive white dude afraid to seem racist when in Harlem, he responded "Get home, feel guilty, but be alive!

O'Neal may the true heir to Pryor's legacy. Had he lived another 20 years, he might have been the greatest comic ever. Her best bits ask audiences to confront their own prudishness, selfishness and ignorance — she can take a bit about diamonds that sit on the tailbones of Ethiopian babies and imagine her own sort of Swiftian "Modest Proposal" for American consumers. Her filthy-cute persona is just the tip of the social-commentary iceberg. Years before he'd grab a camera and refine the personal comedy-drama into an art form, Woody Allen channeled his obsessions and neuroses into irresistible, intellectually wonky one-liners, delivered offhandedly in an endearing, Brooklyn accent "I cheated on my metaphysics final in college, I looked within the soul of the boy sitting next to me".

He couched little jokes in the larger ones, as when he nonchalantly mentions attending a "surprise autopsy" or being a "history of hygiene" major on his way to bigger punchlines. After making his name in the downtown NYC nightclub scene of the Sixties and making a few albums, Allen started focusing on other pursuits. And though aspects of his personal life have forced moviegoers to reconsider their loyalties, his contributions to bridging the Borscht Belt and Greenwich Village are undeniable.

Since breaking out while working at the Playboy Club back in the day, Gregory has been at the forefront of the fight for civil rights in his comedy and in life: He was jailed in Selma, shot during the Watts riots of , ran for president in and always, always brought the struggle to the stage. Even his earliest jokes tackled racism, segregation and the march toward equality: Bring me a whole fried chicken.


And touring with outspoken compatriots including the stingingly political Paul Mooney has helped introduce this club veteran to younger, Chappelle-loving crowds. Do you like observational and autobiographical stand-up? You have Robert Klein to thank. His first album, Child of the '50s , wasn't just about the details of air raids and school dances — it painted a picture of the Eisenhower era in all its prosperity and paranoia.

And when Watergate happened, he fused political commentary into the mix without losing his distinctive voice. When he recorded his first special for HBO in — the very first stand-up concert the premium cable channel ever aired — he enjoyed his linguistic freedoms "It's subscription … Shit! The Chitlin Circuit allowed black audiences to connect to black performers in their raw and unhinged states — and without it, the world might not know Redd Foxx.

With a gravelly rasp, this comic delivered his sex jokes like someone's flask-sipping, dirty-mouthed uncle. Foxx could sling one-liners like, "The definition of indecent: But for all the profanity, Foxx was also a crusader for racial equality; his breaking down walls between black and white culture made way for Richard Pryor, who benefited from the older comedian's fight against prejudice. That, and his peerless way with the word "motherfucker. Meet the frazzled, rumpled and eternally downtrodden everyguy — a disrespected-to-the-max role that Rodney Dangerfield played to a tee.

His wife, his boss, his uncle, his shrink, his parents, the homeless guy he passes on the street, even the necktie he was constantly struggling with: Dangefield essentially took a page out of the Henny Youngman one-liner playbook and threw out self-deprecating bombs one after the other. His cartoonish features made even more over-the-top when Dangerfield bulged his eyes from their sockets and broad New York accent only reinforced the idea that he had never and would never, ever get any you-know-what.

In his magic moment, Eddie Murphy saw stand-up comedy transformed into a rock-star art. Sure, some comics were cool, but this stratospherically confident SNL breakout star strutted, preened and doused the audience in sex like Let It Bleed -era Mick Jagger. And those outfits?! The leather suits from famous concert films Raw and Delirious were so ostentatious, vivid and unbelievably tight that the specials are sometimes referred to by the color of suit he was wearing. Listen to the crowds in these films: Some of Murphy's act from those days hasn't aged well, e.

And certain bits, like the one about the ice cream man and the price of taunting less fortunate kids, will remain evergreen. Whimsical but not frivolous, erudite but not snobbish, polished but never above a proper bit of silliness, Eddie Izzard makes intelligent comedy, U.